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“I made 58 films as an assistant—I was at the side of directors who applied all the rules: make it, for example, a close-up to show that the character is about to say something important. I reacted against all that and so close-ups in my films are always the expression of an emotion … so they call me a perfectionist and a formalist because I watch my framing. But I’m not doing it to make it pretty, I’m seeking, first and foremost, the relevant emotion.”

Sergio Leone

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